Multiple meanings, many questions

1409 Constance Street


Tablets in our laps creak in the Age
Of Information, from our sofa’d tours
Hallelujah, dreams, blinds, doors
We might have breathed behind

Type 1409 Constance Street, New Orleans
To Street View where you could have been
Hallelujah, hunched on that parched stool
With your fingers dripping from the sun

How she holds them calm in time
On the stoop, where you aren’t held
Hallelujah, her purse full of gold, secrets
Out of cat’s purr on Constance Street

Does the child at 1406 wonder
As she rides her bumpy trike
Hallelujah, I am saved from this
Or what lives behind door 1417?

Why would we switch places with
Walls whose stuffing is awry?
Hallelujah, our bricks lie tucked
Beneath, our stuffing tight inside

What stoop we do not dwell upon!
Hallelujah
Hallelujah
Hallelujah

The following poem has been crafted from copied lines from the article, “Out of Eden,” by Paul Salopek, in the December, 2013 issue of National Geographic. Paul Salopek is a Pulitzer Prize winning journalist whose first book based on his seven year journey around the world, A Walk Through Time, will be published by Random House in 2016. Salopek’s superb account deserves a close reading for its anthropological and internationalist perspective, which is ethereal, shocking and beautifully written. Again, these fragments are from Salopek’s article, minimally adapted. They stand alone, but are insufficient evidence of Salopek’s entire work of art. It is my wish that the integrity of his language I’ve borrowed attracts readers to his work. This poem, therefore, is testament to Paul Salopek’s “Out of Eden” journey and what he can convey.

Walking


Walking is falling forward 
An act of faith, retracing pathways
Of the ancestors who straddled the strait
Called Bab el Mandeb, the “gate of grief” that cleaves
Africa from Arabia

Millennia behind,
We follow, out from Africa, Eden
Across the gravel plains of Asia into mint
Blue shadows of Siberia to wind-smeared
Tierra del Fuego

To relearn contours
Of our planet.  To slow down
Think.  As a pilgrimage to remember
After 600 centuries, we still seek guidance, even rescue
From those who have walked

To walk for 7 years
Across three continents
The absurdity of it.  The dust.  Are you crazy?
Sick?  Plodding in acacia plains darkened to the color
Of chocolate by warm rains
                                                                      
Over Homo sapiens idaltu
Gone for 160,000 years—a dawn version of us
Ardipithecus ramidus, 4.4 million years old, upright
Walking, an old cousin, amongst the Bouri-Modaitu
Of the Afar

In the direction of Warenso
The world changes when you are thirsty
It shrinks.  Loses depth.  Earth butts against sky
Hard and smooth as the surface of a skull, desert tightening
Like a noose

Little else matters
The sun’s rays corkscrew into our heads
To be tempted into shade, to drop under one of
10,000 thornbushes means death: No one will find you
So we stagger

When our ancestors wandered
Out of Africa 60,000 or more years ago
The world was crowded with strange cousins
Homo neanderthalensis, Homo floresiensis, Denisovans
Did we make love?

Or rape? 
We alone survived to claim the earth
We won the planet.  But at a cost: We are without
Close family, a species racked by survivor’s guilt. We are
A lonely ape 

Who are the millions
Who surrender their livelihoods today?
Irish farmers in the European Union, Mexican ranchers
Shunted aside by highways.  Humanity strips away our stories
And the topsoil

The struggle of man against power
Is the struggle of memory against forgetting
Writes Milan Kundera.  Opening your eyes to nothing
But seamless sky for day after day; a numinous void, clarity
Of hunger

Blown through by the wind
The way a hollow pipe is blown to make it whistle
Over the dead, faceup, facedown, in the mineral silences
Sprawled on the black lava as if dropped from the sky, bleached
Walking

More than 100 billion of us have lived
93% have vanished.  The bulk of our heartaches
And triumphs lie behind us.  We abandon them daily
In the wasteland of the past.  We must embark on journeys
Of forgetting

The sea is walking
It falls endlessly forward, then rolls forever back
Pulling toward the Tihamah Coast, toward the lupine valleys
Of the Himalaya, toward ice, toward sunrise, toward the hearts
Of unknown people.

You knew about the Yugo that blew off the bridge, but...


Holding Tight Off The Mackinac Bridge


On September 22, 1989, Leslie Ann Pluhar drove a

Blue Yugo 190 feet above the Straights of Mackinac
To visit her boyfriend on the other side, but
Gusts of wind took Pluhar over the 3-foot railing

The Yugo--this is what people remember

Yet she, and you and I, and the others
Were sung to, caressed, brought up
Or held tight by a mother all the way

There were five who were building the bridge

Diver Frank Pepper rose too quickly from below
From above, Jack Baker & Robert Koppen
Plunged from a catwalk, first day on the job

26 year old James LeSarge lost his balance

Albert Abbott fell just four feet into water
From the scaffolds of the Mighty Mackinac
To be cut on a plaque at the hungry straights

In the Fall of 1978, in a fog, a private Cesna

Hit a suspension cable, tearing its wings
Sending men from on high into deep
Named Virgil, James and Wayne

With intent, Richard Daraban drove a Bronco

Over the edge at the end of his adolescence
Others jumped; more than a dozen
That we know of.  Most were recovered

Zero in on Google Earth for the footings

Made of teeth at the North Shore, where
The Mackinac Bridge Authority will drive
If you are unable, or unwilling, or mad

Because balance is required on the bridge, where

In 1988, Mindy Lou Arnett stopped her Honda
At 2 am, unbuckled her infant daughter, Jersey
And held her tightly all the way

For the pulpit

Moon Almighty


Rising over Lake Monona
An opal wafer: The Body 
Of Christ, a colossal Tylenol
Eloi Eloi Lama Sabachthani!
Into thine hands I commit my spirit

   Thanks be to early man, lifting
   Torches with one hand to
   Spit pigment at the other 
   Tagging claim to concave earth
   When fire danced with moon

Thanks be to the Moon

   Thanks be to Heironymus
   Bruegel the Elder, Shamans
   Everywhere, Yup’ik, Tlingit
   Haida, Kwakwaka’wakw
   Under various moons 

Thanks be to the Moon 

   Thanks be to soldiers
   Of thee, Great War, packed
   Stoney and stolid and straight
   In boxes behind a drum   
   Beneath the rotting moon

Thanks be to the Moon


   Thanks be to Sigmund, Jung
   Kafka, André Breton-wandering-
   Mexico-City, Man Ray, Ernst, Dalí,
   Frida, Miró, Magritte, Klee    
   Footprints peppering the moon

Thanks be to the Moon

   Thanks be to those who
   Wept at Angel Island, scrawled
   Names in Dachau, Abu Ghraib
   Are lamenting at Guantánamo
   In cells without moons

Thanks be to the Moon


   Thanks be to Why-eth, Eros

   Broadband, the 99%, Blume
   Bones in the Sonora Desert
   Hopper and the dialectic
   Drawn between poles of moon

Thanks be to the Moon

   Thanks be to Tanguy dreams
   Castellón unconscious where Cornell
   Boxes Burroughs in mirrors with Apollinaire’s
   L'esprit nouveau et les poetes
   Bajo una luna surrealista

Moons, the bones of words
Words, the sinew of sentence
Sentences, marrow of thought
Thoughts, arithmetic of art
Art, a crow, landing
Directly in your path

    Together:

I believe in the Moon Almighty
Maker of Mind and Motive
And in Poetry, Son of Experience
Conceived by the Holy Pen
Born of Virgin Ink
Suffered under Otto Pilate
Forgotten, dead and filed
The third day He rose again
Ascended into heaven
and sitteth on the right hand
of Art, the Father

I believe in the Blank Canvas
The Holy Palette of Hues
The Communion of Artists
The Forgiveness for realism
The Resurrection of Memory
And Image everlasting

AMEN

In a world where beauty aligns with dismay...

Take a Closer Look
     For my friend, who is surveying the rubble


Take a closer look:
Over nine years past
How they tumble into sticks
The forms we cast

Most of the structure:
Fallen away, fascinating
Still, you say, a stout
Monsoon course

The rubble: You’d pick
Its dusty bones and names
But shards and boards
Run shallow to the sea

Relations aside: Hum
Ming in and out of tune
Eating Chinese for a year
In Guangzhou

That voicemail Voice: You
Selected over your own
In the middle of your connection
You have reached a number

Of course: You stay
With café tables until close
Until she is asleep and served
By documents

Buddhism: Surprise
Ingly has courted disarray
As some would flirt with helplessness
Eyewitness to a perfect mess 

But you: are standing in
The tidy ruins of your time
Listening to air pour into
And out of, cracks

Take a closer look:
Over nine years past
How they tumble into sticks
The forms we cast

Simplicity, albeit through chaotic voice and grammar form after Typhoon Haiyan.

Body Count


I am getting enough
Sleep.  Pursuing work-life
Balance.  Say to my students
Your essays will be scored
Don’t worry.  They are expecting

10,000 or more to be counted
After Typhoon Haiyan
In the Philippines.  Days later
The stench hovers and seeps
I have lost everything

The only thing, pulling, dragging
Counting.  Introductions, bodies,
Conclusions.  Exasperation has
Transformed into toil.  Water
Supplies and sewage intermingle

Dying for a drink.  Headaches,
Moans, sleep and searching
Salt stings the eyes.  Evidence
Bobs bloated in the cistern
After class, lines of them

Pounding stakes into mud
My family swept away
I held her hand until I couldn’t
Anymore.  Nothing.  The walls
Are down in Tacloban

Sitting at my desk, smug
Crates are dropping from the
Clouds.  I have what I need
There is nothing to do but
Count.  Identify.  Zip them up

Nothing left to balance upon
No paths to follow now
The fishing boats are buried
At sea, the only thing to think
Upon is under the surface

One fist, then another, pulling
Dredging deep or skimming
Wondering if style or grammar
Or just the content in the net
These are someone’s loved ones

Reduced to a score.  Hopefully
Yours will be recovered
As they rise or turn at shoreline
By a friend or brother, laid
Gently down in a pit

Ormoc, Cebu, Baybay
So close, a family
I will visit them tomorrow
But first, under this tree
Muddied, bowing my head

                   Stopping count

It's hot in there! Prison and Feudalism

In San Pedro Sula


You’ve heard it’s dangerous in there
Coagulated odors, thick in minions
A fenced-in village of felons
Pigs and raccoons wander food stalls
Women sell fruit, tacos, rugs to keep you
From the ground, and themselves  

Do not cross the yellow Linea
De la Muerte, guards will take aim
Have their eyes gouged out
For crossing in.  Officials take a
Cut, secure the perimeter while
Fusty air indentures the body

Strongmen rule by edict and money
Setting rates from $fifty to $750 for
Cells, or sleep in the corridors
Squirt down toilets, trap rats, work
The hierarchy as serfs for a cement
Castle, heat-trapping its subjects

His name is Betancourt, elected
When the last was beheaded after raising
Rates and hanging men from rafters
Whose heart was fed to his dog, and
Tattooed faces from Teguchigalpa
Howled before they clubbed it too

Clerks never stop carrying in
Boxes of cigarettes, bananas, money
Beer is three times the rate outside
The walls.  Drugs or sex, the same
Madness, theft and sorrow, brawls
So you keep an empty at your head

Profits are distributed, $6K a year
To officials.  Warden says the state
Would starve them all if he didn’t
Give the go for profit--profits make
A little murder, beatings, fear
But keep the rest alive in here

Betancourt will provide eight security
To escort you on your tour of
Corrections Facility, San Pedro Sula
Careful of the puddles.  It never
Dries.  Built for 800—somewhere
Over 2,000 are waking up

Under the metal roof.  A woman
Hurries past.  You used to read
About these settings, always rolling
Hills with patchwork fields. Brueghel
Showed us happy figurines toiling
Swearing allegiance to the Lord

While bushido bowed its head and
Caravans brought riches to harems
Who clutched silks to their breasts
So Samurai and swordsmanship
And horsemen and round tables
Held court in a kingdom of stone

Today’s kingdoms reign thru fried
Chicken fumes mixed with sweat and
Kickbacks and strongmen clapping 
Raised hands to end a man's
Debts while hip hop stridently bangs
Forth against cinder block