An open letter to those who wear The North Face


To Those Who Wear The North Face


Arrogance enwraps you and your brand is phony
You set yourself apart from six point five billion people
The way you pat yourself three times on the right shoulder
Proud of your asinine three words.  Face The North

I have noted the way you talk.  Your exhaust blows
Hot and hollow.  You stink of pedestrian mall classism 
You avert your eyes.  Your elitism is out of fashion
Follower, your smile is wiped on and off like a script

You, wearers of The North Face, a liability of pride
Taking note of who.  Your gaze is bought with ads
Prowling sales.  Haunting aisles.  Down at your phones
You rank yourself on high in the very worst of ways 

You become bigger with those words, chill and smug
A quality you wouldn’t have felt.  Congratulations, Dear
Customer!  You have become that northernmost face
Cold.  Behind the front, where the steely winds howl



An eleventh commandment for poets. Take no offense; just follow the law, or burn in the flames of hell.














Though Shalt Not Spill Thy Seed of Debauched Poems


Do not spill your seed ‘til red
My ears are bleeding in my bed
The foliage of your poems need time
Understand, dear poet--your work is fine
It’s not your thoughts or what is said
I just do not like every line

You steal my time with your bad rhyme
Force tubes of stroppy turns down my throat
Rub sand of ill-wrought stanza in my eyes
Rob expansive meaning with cliche
From your unripe poem, give me liberty
Or give me silence.  Know when to give birth

Let your poem release from the body
In its time. Perhaps at ten fifty-two
In the morning, when October’s maple
Draws down the saps to the cooling earth
And a wobbly sun both bursts and seeps
To coax a letting go, a swooping fall

About the Golden Gate Bridge, approaching its 2000th


Golden Gate Bridge - Marshall's Beach - Black & White ...
The Fallen


You can’t live in San Francisco long
Without considering them, the fallen
Waiting, leaping, flailing or grasping

When I lived on 16th Avenue in ‘95
They passed the 1000th in a splash

Those with AIDS, rage in their heads
In fog with art deco swoops and dives
And that defiant orange:  Over
A four foot railing, taking their blood
Outswept with the others to the sea

220 feet, 75 miles per hour, 4 seconds
Then crushing, breaking and plunging
Deep below the surface

Many lower themselves calmly down
Onto a beam called “the chord”
This is where I saw the man that day
With feathers in his hair, homeless
I think, a 10-31, code for a jumper

You consider them.  You know

If you’re one of twelve $10 a day
Workers.  Depression.  1937
9:20 in the morning when your catwalk
Breaks away and snaps the safety net

If you’re Slim Lambert you know to land
Feet-first, but your legs tangle in the netting
Which draws you down.  And then, sinking
Kicking, panicking, striking out, finally
Free, you rise with bleeding ears
Reach for planks, grasp more planks
To save a man, and you are both fished
In by the auspicious arms of a crabber
Sailing in from the Pacific
























If you’re the man with the pipe in your mouth
You catch a girder and scream and cleave
To a rope tossed down to haul you back
And you walk away, pipe still in your mouth
In the direction of San Francisco

If you’re the owner of the Suzuki Samurai
That I passed while driving from Marin
Stopped mid-span with the door open

If you’re the first to leap, Harry Wobber,
Forty-seven, a veteran of the Great War
Three months after the bridge opens
You turn to a stranger, announce
“This is as far as I go,” and hop over

If you're the founder of Victoria's Secret

If your name is Steve and just before
You jump you toss Kellie like trash
(Kellie is your three year old daughter)

If you’re Kevin Hines, you survive
On a breakfast of Skittles and Starbursts
Hop on the 28 up 19th Avenue
After your 7th suicide note
Saunter up and down for 40 minutes
Take a picture for a lady on the bridge
Then dive, headfirst, deciding on the way
To survive (It’s a long way)
Break your back, begin to thrash
Yet are kept afloat by the nudging
By the nudging of a sea lion

     A sea lion!

You can’t live in San Francisco long
Without considering them, swimming
Effortless, under the Golden Gate

I'm calling this a Mirroratras. Each poem mirrors each other, but backwards. Both become one poem, united yin and yang.






Slipping through our toes
The grit of organic muds
This evening among strawberries

You are in your row, alongside
Studying a berry in your palm
How the flesh glows red and gives

The teardrop underside
Will it fit the open lips
As you turn it toward sky?

In your bending, ripe and green
Your breasts drip to touch
Upon the tips of grasping leaves

Will you hold me, dirty
As the sun dips pink
At the end of our rows?

Of the Flesh





Of the Flesh

At the end of our rows
As the sun dips pink
Will you hold me, dirty?

Upon the tips of grasping leaves
Your breasts drip to touch
In your bending, ripe and green

As you turn it toward sky
Will it fit the open lips
The teardrop underside?

How the flesh glows red and gives
Studying a berry in your palm
You are in your row, alongside

This evening among strawberries
The grit of organic muds
Slipping through our toes




Sugarplums on my second Xmas alone

Sugarplums on the Second Christmas Alone

­

My icy hand waves as they go
Back to the mausoleum in the cold
I’ve cleaned the tiles to the stone
Vacuumed carpets free of dust
Scrubbed slick the perfumed rooms
The dirt that stays is in my blood
With a leaden echo as it pumps

My family’s gone to celebrate
By way of gifts and scents and food
I am the father who chose to stay
While children and the wife went on
Ignore accept deny the shame
Songs doped up in me are mute
Not a sadder Christmas in a book

My home is three-times full of bones
Their whispers rising thin and cold
A Christmas tree stands stark in folds
Without a little hand to touch its limbs
Loneliness is a four bedroom house
With surplus loft like sayings such as
Happy holidays to me in this abode

This is my second Holy Night alone
Once before in dark San Cristobal
A plot with trash and weeds and moans
Some fireworks and weak array of sky
But sound asleep until the wisps of light
Tonight ajar with visions of sugarplums
A star and kings dancing in my head

Conjured by memories while driving along the Russian River in Sonoma County, or was it near Big Sur? Nevertheless, don't we all engage in such otherization?

        


         Peering
       Up and Down
             the River          


        How strange
     The undone dwellings
 Along the river
How the wasted property
  Below the highway
       Unaesthetic
           Along
   the river

        How strewn
     The stoops, unwound
 Along the river
How toys boards cars litter
  Below the highway
       Uncouth
           Along
   the river

         How wretched
      Lives, dumb lives
 Along the river
How they hide inside
  Below the highway
       Unsocial
            Along
    the river

         How our canons
     Tumble and decay
 Along the river
How judgment winces, peers
  Below the highway
       Uncivil
            Along
    the river

        How I long
    To hurry heedless free
 Above the river
How low to have to peer up
   Above my dumpy home
       Unrestrained
            Along
    the river

Better, the life of a zebra










The Zebra
     With thanks to Robert Sapolsky, Professor of biological and neurological sciences at Stanford, whose research 
    on zebras, baboons and other species has led to advanced understanding of stress and tranquility.

The zebra, Equus burchellii
Targeted by leopards and croc
The hunter, the lion, the trader
How many walls covered by his
Stripes, the zebra? Hides.

Its ears indicate the brain
Tall above the grasses
When calm--so often calm
Alerted, pushed forward
Angry, back like a dog’s

The silent zebra, a canard
Their whinnies are common
And when they feel afraid
Snorts and barks and brays
Baring teeth. Preparing the kick

But mostly calm, the zebra
So often calm, after fleeing
From hyenas or big cats
Their brains release the fear
When the ears go tall and still

On the far side of savanna
In hut or keep, on cot
Asleep, a human brain
Brays alarmed for hours
Doddling anxious in the rain

Man, baboons, the primates
Sleepless, unsettled, sad
Our brains grown wide
In the vacuum of free time 
To worry, wait and war

Better, the days of zebra
Brains serene, masticating
The grasses of free space
Sheltered from torrents of stress
Calm, on the sure plains