My last supper


My Last Supper


Currently, on the best seller lists, a book
Of chefs’  “Last Suppers,“  wherein celebrated chefs detail
Their last meal before dying.  Simple and extravagant alike,
Dishes wished for in their final savory moments.

Though not a chef, nor recognized, I asked myself,
“What would I dine on before I died?”
The question lingered through the weeks, until
I had made my selection, to my surprise.

I do not wish to alarm, but I have chosen myself to eat.
I am going far away after dinner.  Free-range, fair trade,
Dying to eat myself.  Please understand, reader,
And reserve your judgment with the Maitre d‘.

They opened my chest on the right.  I have always been proud
Of my pecs and the rib I would eat has surrounded my heart for thirty-nine years.
It was a large one, my doctor said, helping me count four rungs from my belly.
She labeled it with a non-toxic marker.

It could be any season, but let the wind blow in
In summertime, windows wide open unto the woods,
Candle lights quivering with the warm winds of evening
As I stare down at myself on the plate before me.

In the center of my table:  A ceramic bud vase, color of earth,
Handspun by an indigenous woman, from anywhere,
Who has suffered more than I.  The flower:
Cut short, a weed some call it, round in enthusiasm.

For a tablecloth:  Parchment, laid on by busboy at my arrival,
Pushed down around the edge, cheap, blinding bright,
Sophisticated, soilable, a canvass, crinkling as I lean in,
Everywhere my hands go, depressions.

I fasted for the operation, so hunger is upon me. 
I sit up straight, feeling pain only in breathing deep,
Expanding my bandaged chest against the table,
To remind myself of having lived comfortably.

In opposite corners of the room:  A boy and a girl,
Robed, each clutching a candle, silent, uninformed
As to the meal or my future.  They are compensated well.
They shall meet each other afterward, yet never see each other again.

There is no one this evening I know.
I have had enough time to love courageously,
Sometimes I did, sometimes not.  But now, the dinner arrives,
And I am with myself, alone, at last.

A slice of pomegranate garnishes the plate.
[I do not care what kind of plate; your plate, perhaps, you use tonight.]
I discover one sweet jewel at a time, mining the husk for possibilities,
Drippings remind me of swimming holes; always remote, never safe.

Tender, meaty bow curved ‘round my face,
I sink my teeth in for the first bite.
Tarragon and I, in my natural juices, glazed in ginger.
I am perfectly herbed.  I am exquisite.  I am just right.

A visit from the kitchen, male chef or she chef, I do not care,
But he or she wears the hat, that towering tube of cloth,
Unsoiled elegant loft, surpassing the Pope’s. 
“I am perfectly herbed.  I am exquisite.  I am just right.”

       There is a perceptible bow of acknowledgement.

Then, springing onto the table, my cat, Alice, stalking
Low, brushing the dandelion in her seduced crawl, purring with intent. 
I give in;  I, then we, pet the beast, black hairs defiling my table.
First distracted, then haunted: My meal launches off the table in her jowls.

In the privacy of her corner, I hear in her purrs,
“You are perfectly herbed.  You are exquisite.  You are just right.”
I stroke the painful indent of my chest with one hand.
With the other, I call for pizza.

Love this photo


In The Photograph

In the photograph: California Poppies roll the
Hillside, roars of the Pacific, sage scrub
Remnant of Spanish period, Chumash singing
Inland, himnos de la cruz, convertidos
But the poppies: the color of sunsets when all
Warm earth leans in to gasp a last look

Living on the hillside of the picture, lovers
Your cares carried up and away by a breeze
Hands draped over knees, but the part that stirs
Me--how your smiles grasp the day, firm
As faith—pliable as the dough we kneaded
Long after the hillside, Grandma, in your kitchen

I squint to find that amongst the poppies
Grandma and Grandpa, in your orange prime
Though your landscape holds but you,
Arrayed under your oak savannah smiles
Sprawling across your laps, I am with you
Green with gratitude, bright in the hillside

Howling from the sea cliff, hymns, gone
From your book, Grandpa, poppies, gone
Night has rid the bright of hillside, gone
Unsolved song swapped for smiles, gone
Sweet untold fragrance, blissful gazes, gone
Upon my wall, your midday, beneath glass

Low moon on Lake Monona


I Dip My Foot


Low moon on Lake Monona over thick dews
Held down in a blue jean gray sky by orange hues
I sit at day’s end, accomplished in sweat, on a cool
Metallic bench at the lapping shore

Tonight is not the other nights, when the water’s edge
Hollered fear in its mercury sheen.
This is the warming reflection from the oven-lit sky
Taunting me to jump in, to shed my shorts in the public grass
To wade amongst the drowned stones and push—
Push into the great lit middle

Could I go under, scouring the underneaths with slow strokes,
Banking sandy, rippled loams and outstretched elodia?
I might lurk the doleful bottoms with spine of catfish,
Fingering my depths with smooth familiarity,
Breathing in lungfuls of nutrient algae, plummeting down
Into unlit trenches at the pressured floor.

Tonight I could lose myself, listening to the lup-lup-lup
Of Monona, its welcoming pool coaxing my firm foot
By its sexy, hydraulic curves.

And so, sandals sitting obediently under vacant bench,
As if to tempt a drowning, I dip my foot,
Hanging all the while to an outleaning alder.
Down where water licks air, foot sinks to mid-calf,
Warm air and water alike.  Death is just like life, but
Fears arise on the wobbly stone:  Spider’s thread across cheek
Craggy drop-off.  Ants on trunk.  Current.  Darkness.
Layers of impenetrable depths.

On the bench again, I feel scorn set in
Why have I been born into a suit of human flesh?
Why not the fearless moss or painstaking moon?
Why am I the prisoner at nature’s edge and not the wave
Moving into oblivion, rolling lazily through night,
Peering into sky and soul beneath, laughing
Lustily with the breeze, rocks?

It still hurts.






   Deeply

Clods of tractor mud scatter along the route to Grandpa’s
Through artichoke fields.  Breathing:  No one has a word for today.
Up ahead, the hedge groves, an ivied entrance gate, and the mountain,
Roaring up beyond Camarillo Springs.  This is where he will remain
Grandma inches with us, a bowed widow, her walker navigating
Across unevenness, an unyielding tree birth, to the foot of the plot.

Our hearts are upturned, low to the dug ground.  His bare grave,
Under awning of branches.  Needles everywhere.  Earthen clumps still
Moist from yesterday mix with lengths of digger-chewed root.
Grandma insisted on the “cheapest pine box” when the undertaker knocked.
It was pine we used to build those shelves that day, sawing,
Staying out of his gruff way, sanding together in the fragrance of boards.

His violin was of a different wood—a rare wood—I want to believe. 
Its elegant curves, thin, sanguine walls resonated Chopin, Mendelssohn,
Bach, making him seem thicker, painfully large.

         And now, you make the earth swell, Grandpa.

I fold a blanket for Grandma’s shoulders.  It weighs down on her.  The time has come.
You will join him this very winter, in the morning, on the day before Christmas.
Your daughters will surround you, giving you drink from a sponge.
Your tumor will overtake you, Grandma, but friends will sit beside you, laughing,
In your white room, where your breathing will grow slight, and moisture will appear
On your cold lip.  And as your daughter ducks into her tears, I will carry you away
        
         In a sheet.

I guess I didn't have a hero either.


No Hero


You have no heroes, you tell me
Age eleven, plenty of things to do
Middle school boy with the world at hand
Books in hand, baseballs, controller
Sleepovers, iPod, and on the couch
Remote, without one who shines

Huss, John, celebrated German
Reformer, protestant, martyr
Born in Bohemia, 1376
First opposer of transubstantiation
Burnt alive by the Council of Constance,
Burnt, Cam, for conviction!

Franklin, Dr. Benjamin, born at Boston
In America, 1706, a genius, printer
Philosopher, innovator, diplomat,
Lover of parties, masquerades, revolution
Inventor, writer of tales, comedy, proverbs
Lover, Cam, lover!

Michael Angelo Buanarotti, Italiano
Born 1474. Painter, architect
Poet, Chisler of flesh, Impassioned.
Asked why he did not marry, he answered,
“Painting is my wife, and my work,
My children.”  Impassioned, Cam!

Emporer Qin, civil minded builder
Of roads, palaces, tombs.  Artist
Thinker, unifier of China, vast
Lands, peoples, rivers assembled into one
Subjugator of the Chu, bright promise,
Thoughtful, Cam, thoughtful!

Alexander the Great, born at Pella
Student of Aristotle, mighty in spirit
Student of the world, builder of Alexandria,
Scourge of mankind to Persians, Greeks,
King of Babylon, Son of Jupiter,
Radiant king, Cam, king!

Cam of no favorites among the animals,
Of all the colors, books: no heroes
Here are a few to choose from
Their silhouettes the same as yours
Yet nowhere except in you will one
Draw his sword and lift it to the sun

Here's an ode to Wisconsin's farms


By the Red Pods, Toast Brown Maul


By the red pods, toast brown maul
Out from highway on edge of woods
Runs the rim of field, farm, flat
Chiseled slow onto hill by fathers
Of fathers who felled same woods

Where dust, where diesel fume, where
Daddy directs to drive deep plows
Running burned backhand on brow
Slicing ripe earth at the edge of past
Where ax, where blisters, where pus

When there was no man greater
Than he on the bowed metal seat
Steering hip boned shapes with holes
Bored for life-size boulders marking time
Where rocks fell in slipshod cairns

Where a sweat soaked gaze still stares
Where swollen hill sinks into shade
Mother calling, hawks twirling
In clouds only memories will paint
Above the kettle moraine

Curving Fall woods’ ripe decay
When earth in submission, oceans
Far, Father looking backward
When China was nowhere to be found
By the red pods, toast brown maul

Twenty years later, she's just fine.






To A Mother

Driving by the park on the eve of
Thanksgiving after Italian food
we were an intercourse roar, laughing
through the streets, nowhere in particular

Together, we watched a huddled walker
across the far birth of wet grass
overgrown, desolate, familiar
she in her coat, hunched in her lone walk

Then the recognition—I steer us over
Alongside her.  She is red in the eyes
a stranger crying; yet her voice, her face
steeped in fog.  And her embarrassed tears

They had argued, she said.  It was “not a good idea
to go by,” and so she walked and we drove on
“Goodnight,” is for a long time to your mother
going on and on in the cold.