Just a LITTLE human condition


Man


Shards of city noise bend
Up into a room where a man
Sits finally in his chair to choke
Down another bitter day
And below in the street
Dogs nest in piles of cinder blocks

       And in this room
       The grappling of his hands

       And in this room
       A neck vein pulses violently

       And in this room
       His bellowing winter cough

And in this room
Blinking Christmas lights
Surround a crucifix like barbed wire
Sending red, green rebounding
Off walls, while wrinkles
Curl across linoleum in a shadow

Neck vein, hands and cough go
Placid, as a man bends into himself
Stark

       (A man dies)

Christ echoes screams through the red
Green of the room.  Horns honk

       Amen

A confined structure, just like the ailment.


I Know
     For my friend


I am constrained to tell you of my woe
You, proud Swede, erudite you—woe
About such plague that vexes in your veins
Hiding diffidently, roaming deep
Shading your shadow with implications

I am in a state of distraction, res angusta domi
You, good Friend, high-minded you—distraction
By eclipse of your round levity, and the tears
Elaborating your exile, blunt tears, holy
By the incongruous you; yes it’s true

I am out of humor, there is none more sound than
You, militant Saint, zany you—humor
Still, from your vertical depths, unleashed
Where vis vitae was built upon a precipice
The milieu of you, sure you, koo koo

I am lonely; can it be my friend has left?
You, generous Cynic, Spartan you—lonely
As a skull in pensive mood, dolorosamente
As a crier in your wilderness, but I
I will not raise a hue and cry about you

I am calm.  The very thought of you
You, true-hearted One, honest you—calm
I know the river’s peaceful end ahead
I know the sanctuary songs begin again
You’ll sleep tonight, though dark, and then

We construct for an end we construct


Constructing It


Constructing it can take some time
And time is all you need
And time is all you have at all
Alongside soul, the seed

And time can come by laying still
And still it comes by speed
And inundates constructing it
Though planned so carefully

Over tombs built down below
The cornerstone is set
From spaces god knows when ago
The time spills over it

Build on, severely, and in stone
So that it might last on
Under the blankets of the hours
Cooked by a drunken sun

So time pours over all of us
As pigeons who have come
To peck the crumbs from which we go
Constructing it, alone

Imagery from a rotten time is fruit for the present.

I Will Pick Their Flowers In The Sun


This July, when Alice died, we buried her
In the backyard and threw in a lilac bush
As the sun made sweat drip from bent
Bodies to the muddy soil

And in August, dogs were unleashed in the
Bedroom, gnashing at the chain link fence
Where I grabbed your arms for you to hear
As your ears were in another land

Like so much slush in the streets
A thaw howling gray for all to see
The winter prescribes cold therapy
Casting rock salt onto ice

Arms linked in incoherence, angry
We circle in confusion with our verbs
Growling with our choices in the rain
Dogs nesting in piles of cinder block

When the flooding stops, the mud line
Across my eyelids burns of sewage
Yet the surface of the water, still
Reflects the sun as a mirror

Branches above the flood line bud
Above the carcasses of bloated dogs
The aromas a crescendo with the spring
I will pick their flowers in the sun

This was then

Breaking News


Issues of Algeria, Dow Jones blare down on us, yet inside hides
Our breaking news:  Our story, imposed across a wrung face
Dormant in bed, arms tight up into chest, breath like an engine

Shut eyes keep out the demons—she is not asleep, but only wishing
For motherhood to become again the perfect parent it has proven
For the incubator to warm and hum another song

Mother Theresa has died; dead the idea done in memory of family
Mary cannot lay an egg; just as we’ve planned our nest for young
Deceased is the dream of seeing wife in child

We will dig up the decayed round of this grave elegy again
And again.  And she… she lives in the land of Why?
A lingering branch over a fallow, despondent ground

Despondent markets, seven hundred billion dollars
Negative advertising, global economic crisis
Congo, Taliban, coca plants, catastrophe

Our family we could never doubt will not become
They scream the young joy of us, but we cannot both hear
“Look Mommy!” will never mean like it should mean

Our breaking news:  Done, wrung, undone
I touch her eyelids, hiding those gorgeous eyes that shall be
Only ever born on her

What we say when we are afraid of just the same

What We Say When We Are Afraid Of Just The Same
     (For Ry)


On our walk from school
With your dirty face, you say
Papa, I don’t like two things
I like kindergarten, but not the grades
Like first grade and second grade
And third grade and fourth

Oh, yeah? Why not, Ry?
Because they don’t celebrate
Birthdays.  They don’t?
No, but we do in kindergarten
So I don’t want to go in the grades

And what’s the other thing?
Papa, I don’t want to die

Someone told me when a person
Dies it’s for ever and ever and
Ever.

You don’t have to worry about that
For a long, long time, Ry
Let’s just enjoy kindergarten
Since you get to celebrate
Birthdays.

Going away to college. Unloading.

Unloading


Dorms of concrete bake at summer’s end
While cameras click near double parked cars
Carrying, laughing.  Moving vans in tears

Their goodbyes: an end to childhood, hands wrapped
Around each other’s memories.  The children, full
Of Dad, full of Mom--assured--as luck would have it

A tradition carries on, parents taking their
Kid to college.  Like a bird leaving the nest
Where beginning, where self, where flight

I pass them for a while, one family after another
Arriving, lifting, parting stories, a prayer
As I haul my boxes by them all, listening

Some go out to lunch.  They all seem to have that
Quality.  I am not sure what it is, I wonder
How hot it is.  My car is almost empty.

What can one do but carry the burden
Along lanes stretched far and wide and clear
Hugging the stretch between From and To Be

My car was full of essentials.  Me and the 101
In a ’79 Rabbit, windows full of boxes
Each one hot and lifted out and up the stairs

Unaccompanied.  No one but I, carried off from
Childhood three hours ago.  Mom did wave
Across our wide lawn, when I flew away.

When a pet dies. Ambience.

Image result for black cat
Alice


In the morning, July, the windows wide
Humid air rushing in replacing night
Everywhere the air, water on the floor
Urine on the boards of the kitchen floor
She has left us, staring wide open
On the boards of the kitchen floor

Everything is wet.  The air hangs
Sopping wet towels over us, digging
Sodden earth, chopping warm roots
Clean by the shovel blade, dripping
Hole, oblong sopping pit, inside like
A nest.  A long, deep nest.  Alice

Was a very good cat.  Wrapped up
In towels, pink, burgundy, wet
Leaves hanging all about the garden
Wet with sun, wet with rain, weted
By the lone thief, death.  A pet dies
Suddenly.  No, we all knew that she…

The boys talk of sand flowing into her
Mouth.  Can we close her mouth
Or her eyes, wide open in the end
When we just want them closed
And we just want her dry.  All we want
Is to keep dry.  Tears dripping off

Our wrung faces, shrouded in heat
Remembering her glossy coat of black
Fur, petting Alice, deep in the past now
Beautiful cat with cool black coat of fur
Beautiful cat with cool black coat of fur
Beautiful cat with cool black coat of fur 

Shoreline imagery to compliment the meaning






When You Listened I Could Hear Myself


When you listened I could hear myself
In the dog bark hour of Half Moon Bay
The cave-screaming whispers echo in
Scooped dim low wet bat stone
Our earthy bedroom, talking into night
Hear ego, all of my lies

Drown by cicadas beyond the screen
Marking time

When you listened I could hear myself
Did I listen as you did so well?
Could our sons peek into silences
Of jungle to hear the hum?
When we listen--there are the gifts
Laid in the sand, burning

Incense rising at the temple door
Massing high

When you listened I could hear myself
On the caramel sand where birds flew out
And up into far.  Vines grew.  We hung
Into night on the roaring fog
Fixed our eyes on gnarled cliffs at light
Where the caption of the beach read calm

Testament to long listening shores
We’ve walked by

When you listened I could hear myself
Now kelp and I engage the waves
Crabs crawl quick from your bone
Socket into sun, cartilage
Of ear scaffolds up in fragile air
Parched and clean, arched to hear

As you listened when I could hear
Myself cry

Love this woman, a fellow poet leader in Wisconsin






Fran Rose


Fran rose at the reading in a coat of red
Like a preacher, rebuking our sin
We who have softly read our words

Preach, Fran, how to redeem each sound
Sounds, the bones of words
Words, the sinew of sentence
Sentences, marrow of thought
Thoughts, arithmetic of poems
Poems, worth the volume

Poems, the crow landing directly in your path

Fran, bless us with courage to
Lift our chins, speak correct, deliver erect
Red, ripe words across the frozen lake
Words—chosen ones—shouted for civilian
Loud words for troops
Read loud for the learned
Read for the idiot
Read for the poor in spirit
Read for the hungry
Read for the swearing in
Read for the parade
Read for wife read for kids

Into our ears, sounds, formed, tongue
In position, voluminously heaved forth

Fran, forgive us
For we know not how we utter
Lead us not into poor enunciation
But deliver us from quiet poems
And forgive us our low volume
As we forgive those who mutter amidst us.

I believe in the loudly spoken Word Almighty,
Maker of Mind and Motive.  And in Poetry, 
The Son of our Experience--Conceived 
By the Holy Pen, born of the Virgin Ink, 
Suffered under Long Spent Hours, forgotten, 
Dead, and buried.  Poetry descended into hell 
The third day he rose again from the dead 
Ascended into heaven and sitteth on the right hand 
Of Literature, the Father Almighty; from thence
He shall come to judge the writer and the dead. 

I believe in the Blank Page Ghost
The Holy Audible Word
The Communion of Poets
The forgiveness of rhymed words
The resurrection of Memory
And Imagery everlasting.  

AMEN.

3 versions of water psychosis






Three Versions of Water Psychosis


I.
On shore of the Pacific at Montana de Oro
Our moon competes with clouds to be seen
I have found the edge of my personality
Waves thrash on rocks black with fervor
Each, a god—deploying into sky as shards
Where moon’s eyes wince drenched
Salt-stung to heave back bashing
Blows that crash in ears as I collapse in
Silence finally from its ardent roars.

II.
On frozen Lake Mendota with a view to the stones
Aghast at sounds that rumble in its depths
Nothing I have ever known, no one ever told
That lakes moan when strong sheets of ice crack
And I have not begun to love as love howls too
Lying flat above the lake’s booms, echoing
Fear to bowels, lasers in war, shaking the
Soul of the lake.  Cries of casualty and end, for
No one comes to the buried stones’ wake.

III.
Rains of summertime unpeel my clothes, I am
A voyeur of skin felt up by warm sky, the two
Squirm over me until they come.  Upstairs,
Zombie lowers body into the bath.  Porpoise
Tight skin bares the rhythm of heart
Candle shimmers prisms of color across
Tears in its flame.  Lowering myself to
Allow the silent caves of ears, let the flood
Waters sweep me beyond home into sea.

For my brother, or if you know San Francisco, for you too






You Have Been Here, Brother
For Wes

You have been here, brother, to this
Chirping black bird dotted park
Its calm lawn littered with the waste
Of poor, depleted in the afternoon
Billowed shadows smoke and quiver as
Crawling buses, shrouded, utter
“Going home now.  I am tired.”

This place among many yields now
In the clean sun white dog-bark hour
Tender organ of the city, donated
Sprawled as a spleen in Italian Town
Bones meshing tissue, tissue to blood
Chinese girl runs curved path through cool
Long beard bum curled upon plaque

What bodies go about in the park
Sad.  Gay.  Immigrant.  Places everyone!
Arching time across the kissing grass

Do you sit with silence, Wes, on that bench?
Have you known tears, beggars, wisdom
Under the tree by St. Peter and Paul’s?
What joy have you uncovered, Wes,
On the lawn in your green moment?

For you have been here, brother, to this

A lady was hit, and Charleton Heston was Moses, varnished dark in the Egyptian sun.


The Promised Land


1.       Around two o’clock, I walk past a store selling plastic items.
2.       There are red buckets, yellow buckets, blue tarps, nylon rope.
3.       I am unwrapping the foil from a melting chocolate bar.
4.       A melon vendor naps in the shadow of his cart.
5.       In the street, a red Dodge Ram brakes, skidding.
6.       A woman, approximately fifty-eight, is caught in its lane.
7.       She is hammered chest-high by the screaming truck.
8.       Her torso appears to hug the contour of the grill.
9.       The truck grips the asphalt finally, casting the woman forward.
10.    She slides on her back, shoulders first, past the plastic store.
11.    Her movement is graceful, as if across a sheet of ice.
12.    It is Good Friday in Poza Rica, Veracruz.
13.    I drop my chocolate bar into my left pants pocket.
14.    The plastic salesman begins dialing the phone.
15.    I watch the first droplet of blood fall from behind her ear.
16.    Her eyes are closed.  She has beautiful, brown skin.
17.    There is an odor of burnt rubber amid the street’s black heat.
18.    “Señora,” I whisper, “todo será bien.”
19.    “Todo será bien, Señora.”
20.    I stroke the soft underneath of her wrist while telling her this.
21.    Ten or twelve people assemble.  One crosses himself.
22.    Someone collects her bag of rice and places it at her head.
23.    A faint siren becomes clear, then blares close.
24.    “Todo será bien,” is all that I can say.
25.    I walk out from the encircled who have gathered here today.
26.    The sun sears the afternoon in a yellow, blinding haze.
27.    Walking until the highway, I become soaked in sweat.
28.    I stop to rest inside a church with doors swung wide open.
29.    Workmen are draping the cross with a sheet.
30.    Swelled feet slip from my shoes to the cool floor.
31.    Their steam makes patterns on the dark green marble.
32.    I sneak bites of cheap chocolate from my pocket.
33.    The Virgin is transferred from a nave to the steps of the altar.
34.    Men move over her with cleaning rags.
35.    Down the highway, I buy a ticket for the movies.
36.    I settle in with Mike & Ike’s to see The Greatest Story Ever Told.
37.    It is the desert, ages past.  Thank God there is air conditioning.
38.    Charlton Heston is Moses, varnished dark in the Egyptian sun.
39.    And he leads his people to the Promised Land.
40.    Into the Promised Land.